I must say I am extremely happy that everyone that I originally had on the roster to interview for this project has been confirmed; most have already been interviewed. It is such a great feeling to watch a project come together and shape itself. I sit. I interview. What really makes this special is what everyone involved in the project as a contributor has to say.
I walk onto this project as a lover of film and a fearful fan of zombie films still wet behind the ears when it comes to the hordes of other fans and how much of "dead culture" they consume. I hope to make them happy with this project but also to answer the questions that I sought and contribute to the genre.
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me (L.E. Salas) sitting in for a set-up shot. |
Setting up this documentary has been sooooo different from my last project. I'm a fan of fusing documentary projects and crossing media platforms to either make points in an interesting way or simply using a platform to make up for the fact that there wasn't enough money in the budget to reenact or recreate a scene.
One thing that is different this time around, I work 10-6. I cannot complain because I love my job but it does limit the time I have to schedule and coordinate a project.
BUT my biggest issue this year was the snow; I know right, who'd a thought...in winter. The narrative portion of Dead Man Working was to be shot in February but has now been pushed back to April. It is a matter of shooting the entire film at one time as oppose to filming a couple of indoor scenes now and shooting the outdoor scenes later. Whenever I have worked on a project that has had that happened, the energy just seems to die.
I have a good solid month for some rewrites and making sure that every frame in my mind is translated to video.
www.deadmanworkingmovie.com